Possibly the most historically studied area of Theosophical influence, art historians began documenting Theosophical connections with painters in papers, books, and exhibitions since the 1980s, and active research and successful exhibitions continue to this day. It could be said that the artistic vein of the Theosophical movement was actively engaged in shaping the rapidly evolving art currents of the late 19th/ early 20th centuries. Hence, these posts, continuing a series on the cultural influence of Theosophy to mark the 150th anniversary of the Theosophical Society, made use of much reference material.
As this is a much documented topic, we won't be giving a full color painting, but rather just a rough charcoal sketch, so to speak, as an introduction to the subject. For example, further painters of interest include Sir Edward Burne-Jones (1833–1898), english painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter, had Theosophical connections and his art is appreciated by Theosophists. Moreover, John William Waterhouse (1849 – 1917) was close to occult esoteric milieus and some feel that his depictions of magic could indicate Theosophical inspiration. Austrian painter Gustav Klimt's (1862 – 1918) painting Philosophy has been thought to have Theosophical inspirations. In the last five years, Swiss painter Hilma af Klint (1862 – 1944) has had a remarkable surge of recognition, with her Theosophical inspirations duly acknowledged.
2- Odilon Redon (1840 – 1916) was a French Symbolist draughtsman, printmaker, and painter, best known today for his dreamlike paintings, which leaned toward abstraction. His work is considered a precursor to Surrealism. He was friends with Edouard Schuré and frequented occult bookshop owned by Edmond Bailly, a Theosophist.
https://www.youtube.com/watch?v=R6XXTE2Jd98 https://brooklynrail.org/2005/11/artseen/beyond-the-visible-the-art-of-odilon-red/
3- José Villegas ( 1844 – 1921) was a Spanish painter of historical, genre and costumbrista scenes, inspired by the works of the Orientalist painters. He attended the Centro de Estudios Teosóficos of Seville, active in the calle Sierpes, which gathered young intellectuals who combined civic engagement with metaphysical aspirations. Villegas absorbed symbols, readings, and ideas from this environment.
4- Paul Gauguin ( 1848 – 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Gauguin was known to be a reader of key theosophical literature, such as Helena Blavatsky’s The Secret Doctrine. During his time in Tahiti, Gauguin developed a friendship with Jean Souvy (1817–1913), a French government bureaucrat and a practicing Theosophist who lived as his neighbor.
5- John Augustus Knapp ( 1853 – 1938) was an American artist best known for his esoteric paintings featured in Manly Palmer Hall's The Secret Teachings of All Ages.Knapp was deeply involved in the Cincinnati Theosophical Society and gave lectures to the members as part of a series of Tuesday evening lectures, essays, and readings.
6- Reginald W. Machell (1854-1927) was an English painter whose best-known work is The Path. He joined the Theosophical Society after meeting Helena Petrovna Blavatsky in London, and later moved to the Point Loma community, where he painted, wrote, and designed furniture.
7- Hermann Schmiechen (22 July 1855 – c. 1923 or 1925) was a German portrait painter and Theosophist. From 1884 to 1895 he was a member of the Royal Academy of Arts. In 1901, Schmiechen, returning into Germany, settled in Berlin and joined the German section of the Theosophical Society.
8- Mikhail Vrubel (1856 – 1910) was a Russian painter, draughtsman, and sculptor. A prolific and innovative master in various media such as painting, drawing, decorative sculpture, and theatrical art, Vrubel is generally characterized as one of the most important artists in Russian symbolist tradition and a pioneering figure of Modernist art. Vrubel operated within a highly saturated cultural environment where the Theosophical movement and Symbolism deeply overlapped. He was friends with Helena and Nicholas Roerich.
9- Fernand Khnopff (1858 – 1921) was a Belgian symbolist painter and one of the founding members of the avant-garde group Les XX in 1883. His paintings often depict isolation, desire, and the dual image of woman as femme fatale and angelic ideal, a recurring theme in symbolist art. Khnopff had close ties to British Pre-Raphaelitism, befriending Edward Burne-Jones and other British artists, and from 1895 was Brussels correspondent for the art journal The Studio. Khnopff moved in Jean Delville’s Theosophical circle.
10- Jan Toorop (1858 – 1928) was a Dutch painter who worked in various styles, including Symbolism, Art Nouveau, and Pointillism. His early work was influenced by the Amsterdam Impressionism movement. In 1905, he converted to Catholicism and began producing religious works. He also created book illustrations, posters, and stained glass designs. Artists like Piet Mondrian—who worked closely with Toorop in Domburg—were explicitly and heavily inspired by Theosophy during their spiritual evolutions.
11- Alphonse Mucha (1860 – 1939) was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylised and decorative theatrical posters. He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental symbolist canvases known as The Slav Epic, depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926. Mucha had Theosophical connections, such as with playwright August Strindberg. ''From Theosophy Mucha learned that the world was the creation of Universal Mind, often described as the ‘world soul’. He believed this divine presence to be feminine, and it is represented in his many delightful images of young women embodying health, beauty and pure Nature. Their curvilinear forms express ideal beauty which has the power able to raise humanity to higher spiritual planes."
Further reading
https://www.theartstory.org/definition/theosophy-and-art/
https://www.dailyartmagazine.com/theosophy-and-art/
See the Imaginarium Theosophica


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