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Thursday, 5 November 2026

Blavatsky and the top Theosophical Painters 1/3

Possibly the most historically studied area of Theosophical influence, art historians began documenting Theosophical connections with painters in papers, books, and exhibitions since the 1980s, and active research and successful exhibitions continue to this day. It could be said that the artistic vein of the Theosophical movement was actively engaged in shaping the rapidly evolving art currents of the late 19th/ early 20th centuries. Hence, these posts, continuing a series on the cultural influence of Theosophy to mark the 150th anniversary of the Theosophical Society, made use of much reference material. 
 
As this is a much documented topic, we won't be giving a full color painting, but rather just a rough charcoal sketch, so to speak, as an introduction to the subject. For example, further painters of interest include Sir Edward Burne-Jones (1833–1898), english painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter, had Theosophical connections and his art is appreciated by Theosophists. Moreover, John William Waterhouse  (1849 – 1917) was close to occult esoteric milieus and some feel that his depictions of magic could indicate Theosophical inspiration.  Austrian painter Gustav Klimt's  (1862 – 1918)  painting Philosophy has been thought to have Theosophical inspirations. In the last five years, Swiss painter Hilma af Klint (1862 – 1944) has had a remarkable surge of recognition, with her Theosophical inspirations duly acknowledged.

1- George Frederic Watts (1817–1904)  British painter and sculptor associated with the Symbolist movement. Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life. He became interested in Theosophy and was a member of the Society for Psychical Research.
 
2- Odilon Redon 
(1840 –  1916)  was a French Symbolist draughtsman, printmaker, and painter, best known today for his dreamlike paintings, which leaned toward abstraction. His work is considered a precursor to Surrealism. He was friends with Edouard Schuré and frequented occult bookshop owned by Edmond Bailly, a Theosophist.
  
3- José Villegas ( 1844 – 1921) was a Spanish painter of historical, genre and costumbrista scenes, inspired by the works of the Orientalist painters.  He attended the Centro de Estudios Teosóficos of Seville, active in the calle Sierpes, which gathered young intellectuals who combined civic engagement with metaphysical aspirations. Villegas absorbed symbols, readings, and ideas from this environment.
 
4- Paul Gauguin 
( 1848 –  1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Gauguin was known to be a reader of key theosophical literature, such as Helena Blavatsky’s The Secret Doctrine. During his time in Tahiti, Gauguin developed a friendship with Jean Souvy (1817–1913), a French government bureaucrat and a practicing Theosophist who lived as his neighbor.
 
5- John Augustus Knapp 
( 1853 – 1938)  was an American artist best known for his esoteric paintings featured in Manly Palmer Hall's The Secret Teachings of All Ages.Knapp was deeply involved in the Cincinnati Theosophical Society and gave lectures to the members as part of a series of Tuesday evening lectures, essays, and readings. 
 
6- Reginald W. Machell (1854-1927) was an English painter whose best-known work is The Path. He joined the Theosophical Society after meeting Helena Petrovna Blavatsky in London, and later moved to the Point Loma community, where he painted, wrote, and designed furniture.
 
7- Hermann Schmiechen (22 July 1855 – c. 1923 or 1925)   was a German portrait painter and Theosophist. From 1884 to 1895 he was a member of the Royal Academy of Arts. In 1901, Schmiechen, returning into Germany, settled in Berlin and joined the German section of the Theosophical Society.
 
8-
 
Mikhail Vrubel  (1856 – 1910)  was a Russian painter, draughtsman, and sculptor. A prolific and innovative master in various media such as painting, drawing, decorative sculpture, and theatrical art, Vrubel is generally characterized as one of the most important artists in Russian symbolist tradition and a pioneering figure of Modernist art.  Vrubel operated within a highly saturated cultural environment where the Theosophical movement and Symbolism deeply overlapped. He was friends with Helena and Nicholas Roerich.
 
9- Fernand Khnopff  (1858 – 1921) was a Belgian symbolist painter and one of the founding members of the avant-garde group Les XX in 1883. His paintings often depict isolation, desire, and the dual image of woman as femme fatale and angelic ideal, a recurring theme in symbolist art. Khnopff had close ties to British Pre-Raphaelitism, befriending Edward Burne-Jones and other British artists, and from 1895 was Brussels correspondent for the art journal The Studio. Khnopff moved in Jean Delville’s Theosophical circle.
 
10- Jan Toorop (1858 – 1928) was a Dutch painter who worked in various styles, including Symbolism, Art Nouveau, and Pointillism. His early work was influenced by the Amsterdam Impressionism movement. In 1905, he converted to Catholicism and began producing religious works. He also created book illustrations, posters, and stained glass designs. Artists like Piet Mondrian—who worked closely with Toorop in Domburg—were explicitly and heavily inspired by Theosophy during their spiritual evolutions.
 
11-  Alphonse Mucha (1860 – 1939) was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylised and decorative theatrical posters. He produced illustrations, advertisements, decorative panels, as well as designs, which became among the best-known images of the period. In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental symbolist canvases known as The Slav Epic, depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926. Mucha had Theosophical connections, such as with playwright August Strindberg. ''
From Theosophy Mucha learned that the world was the creation of Universal Mind, often described as the ‘world soul’. He believed this divine presence to be feminine, and it is represented in his many delightful images of young women embodying health, beauty and pure Nature. Their curvilinear forms express ideal beauty which has the power able to raise humanity to higher spiritual planes." 
Further reading 
 

https://www.theartstory.org/definition/theosophy-and-art/

https://www.dailyartmagazine.com/theosophy-and-art/  

See the Imaginarium Theosophica 

Tuesday, 3 November 2026

Blavatsky, Theosophy and the Tenzing film, Edmund Hillary Tenzing Norgay Mount Everest apple tv biopic

Tenzing
is a 2026 biographical film directed by Jennifer Peedom and written by Luke Davies. An international co-production, the film stars Genden Phuntsok as Tenzing Norgay, Tom Hiddleston as Edmund Hillary, and Willem Dafoe as John Hunt. It is based on Nepalese-Indian Sherpa Norgay's 1953 ascent of Mount Everest with New Zealand climber Hillary.

The film had its world premiere at the 53rd Telluride Film Festival on September 4, 2026, followed by theatrical release in the United States and Australia on October 9, 2026, ahead of release on Apple TV worldwide on October 16. It has received critical acclaim from critics, and won the 49th Mill Valley Film Festival overall audience award on October 12, 2026.

Before becoming involved with the Theosophical Society, Edmund Hillary's quest for personal philosophy and physical training led him through related holistic and esoteric circles:In the late 1930s and early 1940s, Hillary spent a considerable amount of time hiking with the Radiant Living Tramping Club, an adjunct of the School of Radiant Living, a movement founded in New Zealand that shared many intersections with the spiritual, physical, and psychological philosophies found in late 19th and early 20th-century esoteric groups  
 
He subsequently became an official member of the New Zealand Theosophical Society during the 1940s. It was quite common for intellectuals and truth-seekers in New Zealand during this period to explore these alternative, Eastern-influenced philosophies. While Hillary drifted away from formal membership in the Theosophical Society as his high-profile mountaineering and humanitarian career took off,  it's conceivable that his humanitarian values were inspired by the spiritual and philosophical undercurrents of his youth . He ultimately described his world-view as a secular, agnostic freethinker, but retained a sense of compassion and tolerance. This was most evident in his  lifelong respect and philanthropic work for the Sherpa people, whose culture and religious beliefs he respected.
 
Reviews
 
Tenzing review – reconstruction of first summit of Everest puts Sherpa at the centre of the story 
  9 Oct 2026
 
https://www.youtube.com/watch?v=uQiNnvq2YzM 
   
Interviews 
 
Cast of 'Tenzing' interview Tom Hiddleston, Willem Dafoe, Genden Phuntsok, Thinley Lhamo, Caitriona Balfe, director Jennifer Peedom 8m
 
https://www.youtube.com/watch?v=n326eVwb9Zo 
 
https://www.youtube.com/watch?v=ssLU_UfcVq8
 
 https://www.youtube.com/watch?v=4bEwHkQcumc
 
 

Biography 
 
Review: Shadow Worlds: A History of the Occult and Esoteric in New Zealand

Biography: Hillary, Edmund Percival
 
Edmund Hillary Mountaineer, Explorer 
 
Sir Edmund Hillary effectively debunked the famous Asian "Bigfoot" (Yeti) relic during his 1960–1961 Silver Hut scientific expedition to the Himalayas 
 
Tenzing streaming for free

Thursday, 22 October 2026

Blavatsky and Theosophical Painters and Artists Bitter Winter Massimo Introvigne 2

See Part 1 See also Enchanted Modernities
also  Theosophical Library Center and Press, Altadena, CA Eaton Fire  
 
Reginald W. Machell, Theosophical Artist 
May 31, 2025 
1. Surviving the 2025 Los Angeles Fire 
2. Machell in Lomaland 
3. “The Path” and Beyond
https://bitterwinter.org/reginald-w-machell-theosophical-artist-3-the-path-and-beyond/ 
 
Jean Delville & Theosophy (1867 – 1953) 
Apr 20, 2026 
Belgian symbolist painter, author, poet, polemicist, teacher, & Theosophist, leading exponent of Belgian Idealist movement in art during 1890s 
1. Brussels’ Esoteric Milieu 
2. The Krishamurti Crisis 
https://bitterwinter.org/jean-delville-and-theosophy-2-the-krishamurti-crisis/ 
 
Lawren Harris, Theosophical Painter
Aug 2, 2025  
Canada's most expensive artist at auction, iconic Group of Seven member - most extensive text on his Theosophical involvement? 
1. Discovering 
2. Spokesperson 
3. Transcendental Painting Gr 
4. Writings on Theos Art 
5. How to Be  
https://bitterwinter.org/lawren-harris-theosophical-painter-5-how-to-be-a-theosophist-artist/
 
Theosophy and the Visual Arts
Feb 5, 2026  
1. Early Theosophical Didactic Art
https://bitterwinter.org/theosophy-and-the-visual-arts-1-early-theosophical-didactic-art/
2. Theosophy and Symbolism
https://bitterwinter.org/theosophy-and-the-visual-arts-2-theosophy-and-symbolism/ 
3. Theosophy and Abstract Art
https://bitterwinter.org/theosophy-and-the-visual-arts-3-theosophy-and-abstract-art/
 
Theosophy, “Thought-Forms,” and the Arts 
Jul 1, 2026 
1. Discovering the Esoteric Roots of Abstraction
2. Artists Who Saw the Invisible
3. Kandinsky and Theosophy in Munich
4. From Ringbom’s Legacy to Today’s Scholarship
https://bitterwinter.org/theosophy-thought-forms-and-the-arts-4-from-ringboms-legacy-to-todays-scholarship/
 
Around Giacomo Balla: Italian Futurists and Theosophy
Aug 16, 2025  
1. Early Theosophy in Italy and the Arts
2. Futurism and the Theosophical Society
3. Balla: The Early Years
4. Balla’s Encounter with Theosophy
5. The Mature Balla and Theosophy
https://bitterwinter.org/around-giacomo-balla-italian-futurists-and-theosophy-5-the-mature-balla-and-theosophy/
 
Salarrué: A Theosophical Artist in El Salvador
Aug 15, 2026 
 
José Villegas and the Theosophical Decalogue Paintings 
Aug 8, 2026  
Theodora Walter and the Theosophical Roots of Trinidadian Art
Jul 11, 2026  
https://bitterwinter.org/theodora-walter-and-the-theosophical-roots-of-trinidadian-art/
 
Grant Wallace: Psychic Art, Theosophy, and Spiritualism
Dec 13, 2025 
https://bitterwinter.org/grant-wallace-psychic-art-theosophy-and-spiritualism/
 
Walking Toward the Hereafter: Rediscovering Maurice Chabas, Painter of the Invisible
Feb 28, 2026 
https://bitterwinter.org/walking-toward-the-hereafter-rediscovering-maurice-chabas-painter-of-the-invisible/ 
 
A Rose Is a Rose Is a Rose: Hilma af Klint, Flowers, and Theosophy at the MoMA
Aug 9, 2025 
https://bitterwinter.org/a-rose-is-a-rose-is-a-rose-hilma-af-klint-flowers-and-theosophy-at-the-moma/ 

Blavatsky, Theosophy & Jack Kirby, Part 2 (1960-1985)

See Part 1 

1960s   

It is somewhat strange that the Morning of the Magicians came out in 1960, with an English translation in 1963 (US release in 1968), and seems to echo the space age feel of the new Marvel comics supeheroes. Is it because of the common pulp fiction roots? Or is it just part of the general zeitgeist? The very first superhero Marvel introduced in the  1960s was Kirby's magician hero, who goes on a mystical quest to Tibet, Dr. Droom (a kind of fore-runner to Doctor Strange). Marvel Comics' rise from a small outfit publishing a handful of mystery anthologies operating out of a cramped office to a major pop culture franchise capturing the imagination of the baby-boomer generation was predicated on many Jack Kirby creations, or concepts of his developed by others in the 1960s.
 
Some Theosophical elements that can be noticed with the Marvel Comics super heroes can be found with: the Fantastic Four, there is a character called the Watcher, which is a term used in Blavatsky's Secret Doctrine. With Thor, Norse mythology was a topic Blavatsky commented on. The Hulk has echoes of Dr. Jekyll & Mr. Hyde, a story that Blavatsky appreciated. With the X-Men, the notion of mutants echo a kind of transhumanism concept that was influenced by Theosophical notions of spiritual evolution.  
For Magneto, one can point to a real-life model: Anton Mesmer; Theosophy closely correlates magnetism with magic.  Dr. Doom's origin story features elements of the occult and magic, as well as science.
 
1970s 
Kirby began the decade by launching his 
ambitious magnum opus at DC Comic, known as the Fourth Wold Saga comprised of three titles: The New Gods, The Forever People and Mister Miracle. The series has been noticed to have influenced Star Wars. The Fourth World can be related to the fourth globe in Theosophy, which corresponds to the planet Earth in an sevenfold evolutionary process.  The cancellation of the those titles lead to a very fractured, albeit remarkably creative, period. Here Kirby's vision more consistently emerges, characterized by a crude, primal, bluntess which co-exists with remarkably sophisticated, grandiose concepts, often with a kind of Biblical/mythical cataclysmic eschatology, (which can be considered as a kind of distorted form of the more esoteric, cyclical world view). 
 
Unfortunately, what would follow for most of his 1970s creations is a tension between personal artistic vision and commercial considerations, hence he was likely discouraged from developing his ideas in the the way he wanted, and most of his regular periodical creations' potential were not able to be fully developed (insofar  as the nature of the monthly pamphlet story is to remain perpetually unresolved, as Umberto Eco would say). Posterity tends to indicate that his ideas were often prescient and ahead of the curve. For example, one can point to the gradual lionization of his Fourth World mythos to canonical status. Kirby launched several new titles, of which two, Kamandi and the Demon, were moderately successful. One can notice various Theosophical themes. For The Demon, an Indian occultist, Randu Singh is part of Jason Blood's team of esoteric ghost busters. With Kamandi, a post-apocalyptic series similar to the Planet of the Apes, he introduces ancient aliens concepts in isssue #30. 
 
OMAC, has cyber punk themes with satellite technology akin to the Theosophical notion of seven rays.
Sandman, in this new version, the dream aspect is fully embraced with a multi-modal ontology of alternate dimensions similar to Theosophical astral planes and spiritual dimensions. Manhunter, features an ancient secret society of crime fighters with special powers. Kobra features a secret tradition of systemic reincarnation concepts by snake people, loosely resembling eastern Nagas, which has Theosophical commentary.  Atlas, features a world similar to Robert E. Howard's King Kull, which has Theosophical influences. Spirit World was a brief attempt by Kirby to introduce a magazine dealing with various occult and mystical themes.
 
On his return to Marvel comics in 1976, Kirby continued to mine the grandiose, epic ancient aliens, mythical, magical science-fiction vein. The  Black Panther has similarities with Indiana Jones, H. Rider Haggard (who received positive notice from Blavatsky), and Talbot Mundy. The Eternals feature ancient aliens concepts with a secret society of ancient adepts with mystical powers.  Moon Boy & Devil Dinosaur, features alternative prehistorical notions related to Theosophy-inspired ancient aliens theories. Moreover, Kirby adapted the classic mystical ancient aliens film, 
2001: A Space Odyssey, and a spin-off series. In a Silver Surfer graphic novel, he re-visits the classic Fantastic Four Galactus trilogy, making it an even more explicitly gnostic fable. Blavatsky was a pioneer in the modern revival of gnosticism. 
1980s-90s 
Working with a creator-owned publisher, Captain Victory 
was more straightforward science-fiction in the vein of Star Trek, but he tied it in with the New Gods in the final issues (#'s 11-13). Silver Star, based on an unused 1970s screenplay, features transhumanism concepts in an apocalyptic tale with gnostic elements. His final major mainstream work marked a return to the Fourth World mythos with a pair of stories titled Super Powers. Just before his passing in 1994, he presented a final project, produced by others, for Topps Comics: Secret City Saga, an appropriately ambitious, grandiose, epic transhuman secret history magical, mythical project, which features notions of cyclical history, similar to Theosophical ideas. Every fifteen millennia, the humanity is devastated, due to the ravages of “The Darkstorm,” Current humanity are know as the Tenth Men, the Ninth Men being earlier super-powered beings still alive. The greatest military heroes and finest scientific minds are sequestered in a secret city built far beneath what is now Chicago, to wait for the next inevitable collapse and try to save remnants of humanity.