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Saturday, 25 October 2025

Blavatsky, Theosophy & H.P. Lovecraft, Part 1

The Blavatsky Occult Files #1 
The Strange Case of Howard Phillips Lovecraft of Providence, Rhode Island
  
Although presented as a type of real-life X-Files- investigation of possible occult forces behind Lovecraft's writings, as various people have posited, this post simply aims to sketch out the level of Theosophical influence in his work, although Blavatsky's writings do point to possibilities of occult influences that could be investigated in that direction. Blavatsky's fairly well-known article, The Signs of the Times (Lucifer, October, 1887) offers some intriguing hints. As there has been an active academic interest in the relation between occult fiction and the occult in the last 15 years or so, there is a substantial amount of research on the question to consider. 
 
 
Case description

Although always a master and model for horror writers like August Derleth or Ramsey Campbell, Lovecraft’s reputation and readership grew exponentially after he began to be included alongside heavyweights such as William Faulkner or Flannery O’Connor in the catalogues of prestigious publishers such as the Library of America, Oxford University Press and Penguin (in their Penguin Classics series, no less) in the late 20th century and early 21st century… Evidence of the relevance of Lovecraft to the present day, explored in Carl H Sederholm and Jeffrey Andrew Weinstock’s The Age of Lovecraft (2016), can be seen in a strong popular interest in adapting and developing his imagination through media like film, video games, role playing games or music. It is hard to think of another writer whose impact and vision have been quite as thoroughly re-evaluated and mainstreamed over such a short period of time (Aldana Reyes).

File Card 1Lovecraft was familiar with 19th century supernatural literature that had various connections and influences with Theosophy.

She, H. Rider Haggard

Comparing Helena Blavatsky’s literary interests, as outlined by Frenschkowski, with Lovecraft’s essay Supernational Horror in Literature, authors that both give notice to include:
Sir Edward Bulwer Lytton, Edgar Allen Poe, Mary Shelley, Victor Hugo, E. T. A. Hoffmann, Théophile Gautier, Charles Dickens, Francis Marion Crawford, Robert Louis Stevenson, H. Rider Haggard, Oscar Wilde, and W. B. Yeats. Blavatsky mentions Florence Marryat,  who is the daughter of Frederick Marryat, whom Lovecraft notices.
Other authors that Lovecraft notices, who have Theosophical connections or interests include: Gustav Meyrink, Arthur Machen, Arthur Conan Doyle, Bram Stoker, E. M. ForsterAlgernon Blackwood, and Sax Rohmer.
Moreover, Lovecraft also gives an outline of the role of mythology and occult works in the formation of weird fiction, such as The Book of Enoch, the Claviculae of Solomon,  and the works of Eliphas Lévi, which Blavatsky discusses. Lovecraft’s familiarity with classical Greek and Roman authors is another common interest as Blavatsky referenced a variety of 19th century works that meticulously researched ancient writings on mythology, religion, and ritual practices such as Thomas Inman and Charles Gould, author of Mythical Monsters.
Lovecraft gives notice to the early Theosophy current thusly:
this time a wave of interest in spiritualistic charlatanry, mediumism, Hindoo theosophy, and such matters, much like that of the present day, was flourishing; so that the number of weird tales with a “psychic” or pseudo-scientific basis became very considerable. For a number of these the prolific and popular Lord Edward Bulwer-Lytton was responsible; and despite the large doses of turgid rhetoric and empty romanticism in his products, his success in the weaving of a certain kind of bizarre charm cannot be denied.

File Card 2- Blavatsky herself penned some intriguing Occult Tales, published in Theosophical magazines, gathered in Nightmare Tales

Blavatsky's occult tale, A Bewitched Life, featuring a Jōdo-shū monk of the Chion-in (
知恩院) temple Higashiyama-ku, Kyoto, Japan & a Yamabushi mystic who tries to help a European man by having him participate in an occult ritual that would help him learn about his missing family goes awry due to the man’s skeptical disbelief that prompted him to ignore the ritual prescriptions, seems to have similarities with Lovecraftian themes. 
Various Theosophical writers wrote occult stories, such as Mabel Collins,[note 13] William Quan Judge,[101] Franz HartmannCharles Webster Leadbeater,[102]   and Anna Kingsford,[103] . Two early successful novels with Theosophical themes include Francis Marion Crawford, Mr. Isaacs, which features a skeptical materialist who undergoes a spiritual conversion and Rosa Campbell Praed’s The Brother of the Shadow, which features a secret league of practitioners of black magic, a familiar Lovecraftian theme.

File Card 3 –Considerable presence of Theosophical concepts in the American pulp magazine field

Madame Blavatsky is really quite an important personage in the history of fantasy. In the course of two interminable and all but unreadable tomes of spurious occult lore --- Isis Unveiled and The Secret Doctrine --- she codified fugitive and unattached morsels of legend, theory and nonsense into a systematic prehistory of the world" including a superbly "gaudy cosmology". "This system, percolating down through sensational popularizations and Sunday supplement articles, was adopted lock, stock and barrel by writers for the fantasy pulp magazines, who are thus greatly in her debt. (Lin Carter, Preface to Clark Ashton Smith, Poseidonis, p. 3, 1973)

To give an idea of how Theosophy influenced pulp fiction, I’ve listed some themes in the work of comic book storyteller, Jack Kirby, an avid reader of science fiction pulp magazines, who used a wide array of Theosophical concepts throughout his career:  supernatural phenomena, psychic powers, alternate realities/dimensions, mythology, alternate/cyclical history, lost civilizations, ancient aliens, transhuman evolution, secret societies- good and bad, and the science/magic overlap.

In 1904, 
the New York detective Nick Carter dime novel, worldwide weekly circulation 75 million in 1914, saw the appearance of his arch-enemy, Irma Plavatsky, (and Dazar, a Tibetan sorcerer) inspired by the real-life Theosophist.
Wizard of Oz fantasy writer and Theosophist L. Frank Baum befriended Edgar Rice Burroughs circa 1917 and may have acquainted him with some Theosophical writings, which may partly explain the Theosophical connections that have been noticed in his writings. Talbot Mundy is probably the best-known pulp fiction writer who was an active Theosophist and incorporated Theosophical themes in his writings.

Moreover, various Theosophical writers showed interest in contributing to  Weird Tales,  such as:

File Card 4– Lovecraft’s more direct discovery of Theosophical concepts brought a new level of influence

The big three of pulp fiction magazine Weird Tales and the Lovecraft Circle most popular works seem to be the most-theosophically influenced ones: “The starting point of our examination of fictions dealing with lost worlds as cultural productions drawing on Theosophical ideas is the publication of Weird Tales, an American horror and fantasy pulp fiction magazine of the 1920s, which was the vehicle for distributing the works of Howard Philips (H. P.) Lovecraft, Robert E. Howard, and Clark Ashton Smith. These were the three main contributors to Weird Tales evidencing Theosophical influences in their fiction”. (Garry W. Trompf and Lauren Bernauer “Producing lost civilisations: Theosophical concepts” in Handbook of New Religions and Cultural Production, BRILL, 2012, p. 113) 

Lovecraft became more specifically, acquainted with Theosophical writings around 1926, when he began being published in Weird Taleswhere he occasionally mentions Theosophists and Blavatsky’s Book of Dzyan in his stories, inspiring his invention of The Necromicon.:

Notable for our purposes is William Scott-Elliot, who in silent collaboration with Charles Webster Leadbeater produced two volumes expanding on Blavatsky’s occult history of the root-races: The Story of Atlantis (1896) and The Lost Lemuria (1904); these would be reprinted in a combined edition The Story of Atlantis & The Lost Lemuria (1925). Scott-Elliot quotes from “The Book of Dzyan” a handful of times; these are taken from the “Stanzas of Dzyan” in The Secret Doctrine (Derie)

Note that the reason why Blavatsky is rarely referenced in the Scott-Elliot book is that, following Blavatsky critiques of A. P. Sinnett’s Esoteric Buddhism in The Secret Doctrine, there was a split between Blavatsky and Sinnett, with Leadbeater being associated with Sinnett, thereby forming a current I refer to as Neo-Theosophy, of which the Atlantis book could be considered an early example. In a way, the simplified, formalized narrative format of the book, makes it a more accessible source for literary inspiration than Blavatsky’s dense, erudite work that have less detailed narrative, although the story of the black magicians involved in the fall of Atlantis is from Isis Unveiled. Another substantial indirect Theosophical source could be James Churchward

For the rest of his life, Lovecraft would occasionally discuss Theosophical notions in his voluminous correspondence with members of the Lovecraft circle: "I'm quite on edge about that Dzyan-Shamballah stuff. The cosmic scope of it --- Lords of Venus, and all that --- sounds so especially and emphatically in my line!" (Selected Letters, vol. IV, p. 153)

Such was the degree of Theosophical influence, that one could argue that a significant fruit of this Theosophical contact resulted in The Web of Easter Island, by Donald Wandrei, 1932/1948,  aka Dead Titans, Waken!, a novel with a fairly complete elaboration of the Cthulhu/Ancient Aliens mythos, already circulating in the Lovecraft circle in manuscript form. 

Lovecraft received additional information about Theosophical literature via his correspondence with E Hoffmann Price, a Buddhist with occult interests. Price mentions A. P. Sinnett’s “Esoteric Buddhism”, Blavatsky’s “Secret Doctrine”  Besant’s “Pedigree of Man”,  and Leadbeater’s “Inner Life”, and prepared a four-page outline of relevant Theosophical concepts that circulated in the Lovecraft circle.

Usually, the Theosophical references were made with a playful, humorous tone, with Lovecraft developing enough familiarity to be able to joke about the Theosophical niceties of preparing a curry rice dish:

Your explanation of the inward nature of curry is surely a tantalisation of the palate! I must sample this gift of the Djinns, in all its perfection, either at the Peacock Thone or in the Citadel of Holy Shamballah, before I make the final incantation precipitating me into Avichi. In the interim, if I can find any 15¢ cans (what’s the make?) I shall make this one of my regular dietary items in place of Campbell’s soups & Heinz’s beans & spaghetti. We shall see . . . . but I won’t make the mistake of confounding any base commercial imitation with the real thing, as prepared according to the precepts in the Book of Dzyan.
—H. P. Lovecraft to E. Hoffmann Price, postmarked 24 Mar 1933,
Letters to E. Hoffmann Price 73

Towards, the end of his life, he finally took the step to consult Blavatsky’s work directly: “This was probably The Secret Doctrine. However, at this point Lovecraft (sic) already dying, and it seems unlikely he managed to wade through its 1,500+ pages in the few months remaining to him.’’ (Derie)

Part 2 will discuss how Lovecraft adapted Theosophical concepts and how his use of them influenced later developments (magick ritual, ancient aliens, Cthulhu mythos, philosophy).

For more tales of mystery and imagination, see:

Blavatsky & The Morning of the Magicans (Pauwels/Bergier) 
https://blavatskynews2.blogspot.com/2018/06/blavatsky-pauwels-bergiers-morning-of.html 

Blavatsky, Theosophy and the new Eternals movie (Jack Kirby, Marvel Comics) (Ancient Aliens)
https://blavatskynews2.blogspot.com/2021/11/blavatsky-theosophy-and-new-eternals.html

References

The Book of Dzyan (1888) by Helena Blavatsky December 2, 2020 Bobby Derie
https://deepcuts.blog/2020/12/02/the-book-of-dzyan-1888-by-helena-blavatsky/

HPL and HPB: Lovecraft's Use of Theosophy  
Robert M. Price Crypt of Cthulhu, Roodmas 1982, vol.1, no. 5

https://web.archive.org/web/20141018102241/http://crypt-of-cthulhu.com/lovecrafttheosophy.htm

Exploring HP Lovecraft’s Gothic roots Dr Xavier Aldana Reyes 
https://www.irishtimes.com/culture/books/exploring-hp-lovecraft-s-gothic-roots-1.3612929
Chapter 6 Magic and Literary Imagination in H. P. Blavatsky’s Theosophy
Fictional Practice: Magic, Narration, and the Power of Imagination Marco Frenschkowski
Supernatural Horror in Literature H. P. Lovecraft 
Theosophical Writers in Weird Tales Terence E. Hanley April 26, 2022
https://tellersofweirdtales.blogspot.com/2015/12/theosophical-writers-in-weird-tales.html
 
Further reading: 
HP Lovecraft, the "lost worlds" and Theosophy   
https://axismundi.blog/en/2021/05/16/h-p-lovecraft-i-mondi-perduti-e-la-teosofia/ 
Lovecraft, Theosophy and Extraterrestrial Claims for the Book of Dzyan 1/14/2012 Jason Colavito 

https://www.jasoncolavito.com/blog/lovecraft-theosophy-and-extraterrestrial-claims-for-the-book-of-dzyan 

Cultural and Historical Context of the Mythmaking of H.P. Lovecraft
Brian J. Reis LUX: A Journal of Transdisciplinary Writing and Research from
Claremont Graduate University Volume 3 | Issue 1 Article 14 2013
Structurally Cosmic Apostasy: The Atheist Occult World of H.P. Lovecraft 
Understanding the Theology of Cosmic Horror in H.P. Lovecraft’s Works Jun 20, 2024 Allen Baird
https://www.thecollector.com/theology-cosmic-horror-hp-lovecraft/
The Influence of H P Lovecraft on Occultism
K R Bolton The Irish Journal of Gothic and Horror Studies 9
Kris Wagenseil  Lovecraft goes Magick: Cthulhus Ruf in Phantastik und (neuer) Religion
 18. 07. 2015 Allgemeines, Hermetic Studies, Religionen & Kunst, Religionsästhetik 
The Esoteric Roots of Science Fiction: Edward Bulwer-Lytton, H.G. Wells, and the Occlusion of Magic  Aren Roukema Science Fiction Studies #144  Volume 48, Part 2  July 2021
https://www.academia.edu/49281728/The_Esoteric_Roots_of_Science_Fiction_Edward_Bulwer_Lytton_H_G_Wells_and_the_Occlusion_of_Magic
H. P. Lovecraft: Letters to E. Hoffmann Price & R. F. Searight