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Tuesday, 3 November 2026

Blavatsky, Theosophy and the Tenzing film, Edmund Hillary Tenzing Norgay Mount Everest apple tv biopic

Tenzing
is a 2026 biographical film directed by Jennifer Peedom and written by Luke Davies. An international co-production, the film stars Genden Phuntsok as Tenzing Norgay, Tom Hiddleston as Edmund Hillary, and Willem Dafoe as John Hunt. It is based on Nepalese-Indian Sherpa Norgay's 1953 ascent of Mount Everest with New Zealand climber Hillary.

The film had its world premiere at the 53rd Telluride Film Festival on September 4, 2026, followed by theatrical release in the United States and Australia on October 9, 2026, ahead of release on Apple TV worldwide on October 16. It has received critical acclaim from critics, and won the 49th Mill Valley Film Festival overall audience award on October 12, 2026.

Before becoming involved with the Theosophical Society, Edmund Hillary's quest for personal philosophy and physical training led him through related holistic and esoteric circles:In the late 1930s and early 1940s, Hillary spent a considerable amount of time hiking with the Radiant Living Tramping Club, an adjunct of the School of Radiant Living, a movement founded in New Zealand that shared many intersections with the spiritual, physical, and psychological philosophies found in late 19th and early 20th-century esoteric groups He subsequently became an official member of the New Zealand branch of the Theosophical Society during the 1940s. It was quite common for intellectuals and truth-seekers in New Zealand during this period to explore these alternative, Eastern-influenced philosophies. While Hillary drifted away from formal membership in the Theosophical Society as his high-profile mountaineering and humanitarian career took off, the spiritual and philosophical undercurrents of his youth left a permanent mark. He ultimately described his world-view as a secular, agnostic freethinker, but he retained a compassion, and respect for tolerant spiritual values. This was most evident in his  lifelong respect and philanthropic work for the religious beliefs and culture of the Sherpa people.
 
  
Tenzing review – reconstruction of first summit of Everest puts Sherpa at the centre of the story 
  9 Oct 2026
 
https://www.youtube.com/watch?v=uQiNnvq2YzM 
 
Cast of 'Tenzing' interview Tom Hiddleston, Willem Dafoe, Genden Phuntsok, Thinley Lhamo, Caitriona Balfe, director Jennifer Peedom 8m
 
https://www.youtube.com/watch?v=n326eVwb9Zo 
 
https://www.youtube.com/watch?v=ssLU_UfcVq8
 
 https://www.youtube.com/watch?v=4bEwHkQcumc
 
 
Review: Shadow Worlds: A History of the Occult and Esoteric in New Zealand

Biography: Hillary, Edmund Percival
 
Edmund Hillary Mountaineer, Explorer 
 
Sir Edmund Hillary effectively debunked the famous Asian "Bigfoot" (Yeti) relic during his 1960–1961 Silver Hut scientific expedition to the Himalayas 
 
Tenzing streaming for free

Thursday, 22 October 2026

Blavatsky and Theosophical Painters and Artists Bitter Winter Massimo Introvigne 2

See Part 1 See also Enchanted Modernities
also  Theosophical Library Center and Press, Altadena, CA Eaton Fire  
 
Reginald W. Machell, Theosophical Artist 
May 31, 2025 
1. Surviving the 2025 Los Angeles Fire 
2. Machell in Lomaland 
3. “The Path” and Beyond
https://bitterwinter.org/reginald-w-machell-theosophical-artist-3-the-path-and-beyond/ 
 
Jean Delville & Theosophy (1867 – 1953) 
Apr 20, 2026 
Belgian symbolist painter, author, poet, polemicist, teacher, & Theosophist, leading exponent of Belgian Idealist movement in art during 1890s 
1. Brussels’ Esoteric Milieu 
2. The Krishamurti Crisis 
https://bitterwinter.org/jean-delville-and-theosophy-2-the-krishamurti-crisis/ 
 
Lawren Harris, Theosophical Painter
Aug 2, 2025  
Canada's most expensive artist at auction, iconic Group of Seven member - most extensive text on his Theosophical involvement? 
1. Discovering 
2. Spokesperson 
3. Transcendental Painting Gr 
4. Writings on Theos Art 
5. How to Be  
https://bitterwinter.org/lawren-harris-theosophical-painter-5-how-to-be-a-theosophist-artist/
 
Theosophy and the Visual Arts
Feb 5, 2026  
1. Early Theosophical Didactic Art
https://bitterwinter.org/theosophy-and-the-visual-arts-1-early-theosophical-didactic-art/
2. Theosophy and Symbolism
https://bitterwinter.org/theosophy-and-the-visual-arts-2-theosophy-and-symbolism/ 
3. Theosophy and Abstract Art
https://bitterwinter.org/theosophy-and-the-visual-arts-3-theosophy-and-abstract-art/
 
Theosophy, “Thought-Forms,” and the Arts 
Jul 1, 2026 
1. Discovering the Esoteric Roots of Abstraction
2. Artists Who Saw the Invisible
3. Kandinsky and Theosophy in Munich
4. From Ringbom’s Legacy to Today’s Scholarship
https://bitterwinter.org/theosophy-thought-forms-and-the-arts-4-from-ringboms-legacy-to-todays-scholarship/
 
Around Giacomo Balla: Italian Futurists and Theosophy
Aug 16, 2025  
1. Early Theosophy in Italy and the Arts
2. Futurism and the Theosophical Society
3. Balla: The Early Years
4. Balla’s Encounter with Theosophy
5. The Mature Balla and Theosophy
https://bitterwinter.org/around-giacomo-balla-italian-futurists-and-theosophy-5-the-mature-balla-and-theosophy/
 
Salarrué: A Theosophical Artist in El Salvador
Aug 15, 2026 
 
José Villegas and the Theosophical Decalogue Paintings 
Aug 8, 2026  
Theodora Walter and the Theosophical Roots of Trinidadian Art
Jul 11, 2026  
https://bitterwinter.org/theodora-walter-and-the-theosophical-roots-of-trinidadian-art/
 
Grant Wallace: Psychic Art, Theosophy, and Spiritualism
Dec 13, 2025 
https://bitterwinter.org/grant-wallace-psychic-art-theosophy-and-spiritualism/
 
Walking Toward the Hereafter: Rediscovering Maurice Chabas, Painter of the Invisible
Feb 28, 2026 
https://bitterwinter.org/walking-toward-the-hereafter-rediscovering-maurice-chabas-painter-of-the-invisible/ 
 
A Rose Is a Rose Is a Rose: Hilma af Klint, Flowers, and Theosophy at the MoMA
Aug 9, 2025 
https://bitterwinter.org/a-rose-is-a-rose-is-a-rose-hilma-af-klint-flowers-and-theosophy-at-the-moma/ 

Blavatsky, Theosophy & Jack Kirby, Part 2 (1960-1985)

See Part 1 

1960s   

It is somewhat strange that the Morning of the Magicians came out 1960, with an English translation in 1963 (US release in 1968), and seems to echo the space age feel of the new Marvel comics supeheroes. Is it because of the common pulp fiction roots? Or is it just part of the general zeitgeist? The very first superhero Marvel introduced in the  1960s was Kirby's magician hero, who goes on a mystical quest to Tibet, Dr. Droom (a kind of fore-runner to Doctor Strange). Marvel Comics' rise from a small outfit publishing a handful of mystery anthologies operating out of a cramped office to a major pop culture franchise capturing the imagination of the baby-boomer generation was predicated on many Jack Kirby creations, or concepts of his developed by others in the 1960s.
 
Some Theosophical elements that can be noticed with the Marvel Comics super heroes can be found with: the Fantastic Four, there is a character called the Watcher, which is a term used in Blavatsky's Secret Doctrine. With Thor, Norse mythology was a topic Blavatsky commented on. The Hulk has echoes of Dr. Jekyll & Mr. Hyde, a story that Blavatsky appreciated. With the X-Men, the notion of mutants echo a kind of transhuman concept that was influenced by Theosophical notions of spiritual evolution.  
For Magneto, one can point to a real-life model: Anton Mesmer; Theosophy closely correlates magnetism with magic.  Dr. Doom's origin story features elements of the occult and magic, as well as science.
 
1970s 
Kirby began the decade by launching his 
ambitious magnum opus at DC Comic, known as the Fourth Wold Saga comprised of three titles: The New Gods, The Forever People and Mister Miracle. The series has been noticed to have influenced Star Wars. The Fourth World can be related to the fourth globe in Theosophy, which corresponds to the planet Earth in an sevenfold evolutionary process.  The cancellation of the those titles lead to a very fractured, albeit remarkably creative, period. Here Kirby's vision more consistently emerges, characterized by a crude, primal, bluntess which co-exists with remarkably sophisticated, grandiose concepts, often with a kind of Biblical/mythical cataclysmic eschatology, (which can be considered as a kind of distorted form of the more esoteric, cyclical world view). 
 
Unfortunately, what would follow for most of his 1970s creations is a tension between personal artistic vision and commercial considerations, hence he was likely discouraged from developing his ideas in the the way he wanted, and most of his regular periodical creations' potential were not able to be fully developed (insofar  as the nature of the monthly pamphlet story is to remain perpetually unresolved, as Umberto Eco would say). Posterity tends to indicate that his ideas were often prescient and ahead of the curve. For example, one can point to the gradual lionization of his Four World mythos to canonical status. Kirby launched several new titles, of which two, Kamandi and the Demon, were moderately successful. One can notice various Theosophical themes. For The Demon, an Indian occultist, Randu Singh is part of Jason Blood's team of esoteric ghost busters. With Kamandi, a post-apocalyptic series similar to the Planet of the Apes, he introduces ancient aliens concepts in isssue #30. 
 
OMAC, has cyber punk themes with satellite technology akin to the Theosophical notion of seven rays.
Sandman, in this new version, the dream aspect is fully embraced with a multi-modal ontology of alternate dimensions similar to Theosophical astral planes and spiritual dimensions. Manhunter, features an ancient secret society of crime fighters with special powers. Kobra features a secret tradition of systemic reincarnation concepts by snake people, loosely resembling eastern Nagas, which has Theosophical commentary.  Atlas, features a world similar to Robert E. Howard's King Kull, which has Theosophical influences. Spirit World was a brief attempt by Kirby to introduce a magazine dealing with various occult and mystical themes.
 
On his return to Marvel comics in 1976, Kirby continued to mine the grandiose, epic ancient aliens, mythical, magical science-fiction vein. The  Black Panther has similarities with Indiana Jones, H. Rider Haggard (who received positive notice from Blavatsky), and Talbot Mundy. The Eternals feature ancient aliens concepts with a secret society of ancient adepts with mystical powers.  Moon Boy & Devil Dinosaur, features alternative prehistorical notions related to Theosophy-inspired ancient aliens theories. Moreover, Kirby adapted the classic mystical ancient aliens film, 
2001: A Space Odyssey, and a spin-off series. In a Silver Surfer graphic novel, he re-visits the classic Fantastic Four Galactus trilogy, making it an even more explicitly gnostic fable. Blavatsky was a pioneer in the modern revival of gnosticism. 
1980s-90s 
Working with a creator-owned publisher, Captain Victory 
was more straightforward science-fiction in the vein of Star Trek, but he tied it in with the New Gods in the final issues (#'s 11-13). Silver Star, based on an unused 1970s screenplay, features transhumanism concepts in an apocalyptic tale with gnostic elements. His final major mainstream work marked a return to the Fourth World mythos with a pair of stories titled Super Powers. Just before his passing in 1994, he presented a final project, produced by others, for Topps Comics: Secret City Saga, an appropriately ambitious, grandiose, epic transhuman secret history magical, mythical project, which features notions of cyclical history, similar to Theosophical ideas. Every fifteen millennia, the humanity is devastated, due to the ravages of “The Darkstorm,” Current humanity are know as the Tenth Men, the Ninth Men being earlier super-powered beings still alive. The greatest military heroes and finest scientific minds are sequestered in a secret city built far beneath what is now Chicago, to wait for the next inevitable collapse and try to save remnants of humanity.

Saturday, 17 October 2026

Blavatsky, Theosophy & Jack Kirby, Part 1 (1940-1960)

Progress in computer special effects in cinema has allowed for Marvel comics to achieve a widespread popular cinematic success since the beginning of the new millennium. This achievement was based on eleven new comic book creations published between 1961 and 1964. The driving force behind ten of these creations was pioneering comic book artist Jack Kirby, who would go on to elaborate a considerable superhero mythos based in a science-fiction cosmology and supernatural forces.  
From the very beginning of his career in the 1940s, one can notice a wide array of Theosophical concepts and influences: the supernatural, psychic powers, alternate realities (evoking the astral plane), mythology, alternate/cyclical history, lost civilizations, ancient aliens, transhuman evolution, secret societies- good & bad, and a science/magic inter-connection.
 
'In an age which believes in neither the creative power of sound nor a musical cosmos, such ideas must enter the collective mind through the back door of fantasy.' (Joscelyn Godwin, Harmonies of Heaven & Earth, p. 69 - commenting on C. S. Lewis)
 
Much of the Theosophical influence in comic books came through popular literature such as pulp fiction magazines of the 1930s. Jack Kirby was an avid reader of Amazing Stories and Astounding Stories. Edgar Rice Burroughs (1875 – 1950) is believed to have been influenced by Theosophy. Theosophist and pulp writer Talbot Mundy's The Devil's Guard (1926) is an example of Theosophical eastern adepts incorporated into adventure fiction. Weird Tales featured Theosophical elements, notably with  Howard Philips (H. P.) Lovecraft, Robert E. Howard, and Clark Ashton Smith. 

1940s 
Early superheroes were kind of an unfiltered random mix of pulp culture sub-genres originating in the Victorian era, thus Kirby's longstanding fascinations were present early on: science-fiction, horror, supernatural, occult, fantasy, prehistory. In fact occult influences can be noticed at the very beginnings of the superhero genre. The first comic book superhero, Siegel and Shuster's Superman had an earlier influence in their Doctor Occult character and the second superhero, Bill Everett's the Sub-Mariner, was inspired by Atlantis concepts. Everett also included secret Tibetan mystical societies, in his Amazing Man creation. (1)

Kirby's first collaborated with Joe Simon on the Blue Bolt, a hollow earth themed story with an ancient green sorceress. With Captain America, you have transhumanism (super soldier) and mythologized WW2. Elements of gothic supernatural fiction was prominent in early adventures, with a Hounds of Baskerville-inspired story, as well as an 'X-Files'-type supernatural investigation feature.
 
Also in Captain America #1, Simon and Kirby introduced an Atlantis-inspired lost civilisation story. Around 50,000 BC, the cave-boy named Tuk was the son of Phadion and Rhaya, two exiles, and the first offspring of the Inhumans. They came from Attilan, the so called "Island of the Gods", in reality a home of technologically advanced humanoids.  

His parents died in the harsh environment, and Tuk was rescued by the ape-man named Ak who raised the boy to young adulthood. Having reached old age, Ak told Tuk of his origins and urged the boy to find his homeland before dying. Tuk ventured out and was attacked by a group of savage Goreks, only to be rescued by the Cro-Magnon Man named Tanir. The two became inseparable allies continuing along to search for Attilan.

Kirby presents an interesting modernization of Greek Mythology with Mercury in Red Raven Comics #1, 1940.  Another interesting character with alternate reality concepts is The Vision, a very loose of mix of science-fiction, fantasy, horror, occult, crime concepts. Aarkus, is an alien law enforcement officer from a dimension called Smokeworld. While he is looking for a suitable place to exile a prisoner, he is accidentally contacted by Earth scientist Markham Erickson. Leaving the prisoner on the planet Jupiter, Aarkus accepts Erickson's invitation to fight crime on Earth
 The Sandman in DC's Adventure Comics (#72–97, #100–102) introduced a distinct signature element where villains were plagued by haunted, prophetic nightmares before committing crimes, blending fast-paced urban action with mythic and dream-like threats and occasional occult, mythical, science-elements. Esoteric dream theory was part of early Theosophical teachings.  

1950s
As the superhero genre, which allowed to blend fantasy genres, went on a downturn, Simon & Kirby continue to use Theosophical concepts related to ancient aliens, alternate dimensions, psychic/occult powers, and science-fiction in supernatural fiction anthologies.
 
For Harvey comics, in some brief contributions to Black Cat Mystery and Alarming Tales, one can see hints and ideas that Kirby would later expand upon. For DC Comics, brief contributions to House of Mystery have a focus on mysteries of ancient civilisations, for example,
 House of Mystery #85 (April 1959) features Kirby's "Stone Sentinels" theme (inspired by Easter Island statues), which prefigured his later work on Thor (Journey into Mystery #83) and stone men concepts.. The Challengers of the Unknown, a team of paranormal investigator adventurers, prefigures the  space-age scienc-fiction, mythical Theosophical superhero vision that Kirby would bring to Marvel Comics.
 
(1) The influence of Theosophy on pop culture is an interesting topic, and a general book on the subject could give original insight into modern society. A book devoted to Theosophical influences on the fantasy/science-fiction alone could easily fill a book. For example, in comic books, Captain Comet has many suggestive Theosophical elements. In the pulp field,  the Lensman series of science fiction novels by American author E. E. "Doc" Smith has many unnoticed Theosophical elements. 
 

Wednesday, 29 July 2026

Blavatsky Book Review: H.P. Blavatsky Collected Writings, Russian Serials, 2025

Great day in the morning! The 150th anniversary of the founding the Theosophical Society gave us two long-awaited compilations of the writings of it's most prolific early writer. The complete compilation of her writings is nearing fruition, with more collected letters to appear, and perhaps another volume of miscellanies....


H.P. Blavatsky Collected Writings Russian Serials
140 pages of new English material, full of intriguing, fascinating, engaging writings from Russian periodicals... (sourced from her scrapbooks) + Durbar of Lahore + People of the Blue Mountains
The Theosophical Publishing House, Adyar, Chennai
 23 July 2025
 584 pages
ISBN-10 ‏ : ‎ 8170596467
ISBN-13 ‏ : ‎ 978-8170596462
 
From the 36-page introduction by Michael Gomes:  
'Two sets of articles written from New York in 1878 form the first part of this volume. “From Across the Sea, from Beyond the Ocean,” signed Helena Blavatsky, appeared from March to December 1878. The text was published in the Odessa newspaper Pravda, and No. 45, 23 February; No. 59, 12 March; No. 70, 25 March; No. 110, 16 May; No. 116, 23 May; No. 237, 24 October; No. 270, 3 December; No. 272, 6 December, 1878. The other, “A Voice from the Other World,” signed “Golos” (Voice), appeared in the Tiflisskiy Vestnik (Tiflis Messenger), No. 105, 13 May; No. 107, 16 May; No. 108, 17 May; No. 204, 13 September; No. 206, 16  September; No. 208, 19 September; No. 212, 23 September; and No. 216, 29 September, 1878.
 
The two series, “From Across the Sea, from Beyond the Ocean” and“A Voice from the Other World” that open the volume, make their first English appearance here. Newly Americanized citizen Helena Petrovna Blavatsky, like a true New Yorker, had an opinion about everything and conveyed it with flair to a Russian audience. Aside from the erudite author of Isis Unveiled, we see Mme. Blavatsky as an astute chronicler of American life. The glaring inequalities are there — crime, death, and disease and the heroic narratives that arise from it — all conveyed as part of the American experience of the 1870s.'
 
In short, the new material consists of fifteen articles written for Pravda and Tiflis Messenger newspapers dealing mainly with American social, political and religious life, with international affairs, and commentary on general news events, with some coverage of spiritualism and an article on Thomas Edison and the phonograph.  Below are some short passages to give a brief glimpse of her writing style:
 
"The probable usage of the above-mentioned capacities of the phonograph in various branches of commerce and scientific industry, as well as in family enjoyment, requires more or less delicate mechanical consideration, but the practical usefulness thereof is unlimited. For instance: the preparation of the manuscripts of literary productions; the dictation of documents and books; the difficult tasks of professors and teachers who repeat the same lecture or the same lesson to their pupils; the substitution of the voice of a living lecturer by the voice of the apparatus and of the skillful playing by artists on various instruments by the playing of the phonograph — a playing which may be repeated ad infinitum with an accuracy which may not be attained another time by the performer himself, and this after any number of years; family chronicles of ordinary as well as well-known people; accurate diaries orally dictated every evening before retiring; last wills and testaments; electrotype adaptations, as for instance books, musical boxes, children’s toys, clocks, signaling on railways and at sea; sermons delivered in the voice of the preacher without his presence; commercial advertising repeated every quarter of an hour by a special apparatus outside the offices or shops, or even in restaurants, etc.,etc. ' (pp. 60-61)

'Nothing in nature reminds us much of a woman as the ocean; its caprices and fantasies quickly come and go, and no one can predict their hour. The ocean receives its color from the sky, and its turbulence from the currents of air. Its very existence, with its constant flirtation with, and mirroring of, the elements, depends upon the latter; but in spite of that, just like a woman, it constantly and daringly calls them out to battle. If you throw yourself into it in a rough manner, or go too far out, it will treat you disdainfully and without pity — and like a woman will try to ruin you. But if, on the contrary, you treat it gently and cleverly, and trust yourself carefully and quietly to its treacherous waves, it will carry you along on its high crests, and will cradle you like a child upon the breast of its loving mother.…'  (pp. 125-27)
 
“Let me remind you that we are talking here of such great scholars as Jevons,5 Babbage,6 Balfour Stewart and Tait,7 who have fully demonstrated in The Unseen Universe that even the inception and evolution of the unspoken thought cannot take place without an expenditure of energy, which, acting on the invisible ether, must carry forever the waves or vibrations of its motion through space, from the very minute of contact.
“The energy of matter, carried from the region of the visible into the region of the invisible world, is transformed in the laboratory of the latter into something tangible and cognizable, although invisible to the ordinary eye. In other words, a regular bridge (such is the expression of the esteemed scholar, not mine) — upon which the thoughts of abstract and invisible beings, clothed in concrete form — the sense from the ethereal heights of ‘other worlds,’ and the thoughts of mortals ascend upwards…Do you understand?” (pp. 98-99)